| Prior
to the early 80's, the NEFT offered no formal fly tying instruction.
While members who were tying flies at the club were always willing to
explain what they were doing to any interested observer, that was the
extent of the instruction.a beginner could expect.
A small
group of members got together unofficially and began to discuss the
possibility of creating a formal, well organized course in fly tying.
The concept that emerged was a skill building course, starting with the
very basics, such as setting up and adjusting the vise and starting the
thread on the hook, and progressing to the more advanced techniques in
what they conceived as a 'building block' teaching method.
Once an
ordered list of skills was committed to paper, the next step was to
select the fly patterns that would best illustrate the skills.
Ultimately, a list of twenty fly patterns was developed. At that point
the group presented the idea to the club at a business meeting.
Reaction was mixed, with a vocal minority expressing the the belief
that it was too big an undertaking to commit to. The membership voted
to sanction the group as an ad hoc committee to bring the idea to
fruition. Asking for volunteers, the group was expanded to ten members,
each to select two of the fly patterns and write a first draft of two
lessons based on the flies. Results were mixed. A few were quite
complete and detailed while others were nothing more than a list of
materials and the order in which they were tied on the hook. It finally
came down to one person who agreed to produce the first draft. That
person was Dean Clark who later played an important role when the
original manual was used as the model for the NEFT Video Manual of Fly
Tying.
Another key
player was Bob Duffy, an artist and high school art teacher, who agreed
to do the illustrations for the manual. Randy Swanberg agreed to handle
the editing, page layout and printing of the manual. Bob Griffen, now
deceased, volunteered to act as a coordinator and a 'whip', setting a
schedule and making sure that the schedule was kept. At the beginning
of the 1986 season, the first five lessons were ready and the first
class of six students began the 10 week course. The next five lessons
were ready when needed by that first class. Eventually the entire
manual was complete and served as the cornerstone of the NEFT's
teaching efforts.
During that
period, members had been tying at the Telegram & Gazette booth at
the Eastern Fishing and Outdoor Exposition at the Worcester Centrum at
invitation of the paper's outdoor writer, Joe Michnewitz. We were able
to arrange for our own booth at the Eastern Fishing and Outdoor
Exposition at the Worcester Centrum and suddenly we were swamped with
40 new students who had signed up for the course. Because one
instructor cannot teach a class that size and not everyone can see, our
teaching effectiveness greatly suffered. It was suggested that we bring
in a video camera and record the lessons as they happened. This idea
was ruled out as impractical and sure to produce poor results.
Someone
suggested that we might be able to use the facilities of the Shrewsbury
Public Access Connection (SPAC for short). They were contacted and Dave
Flint and Randy Swanberg paid a visit. Both were impressed with what
they had to offer. They were located in a former middle school and the
studio was half a gymnasium. An overhead pipe grid was hung with flood
lights. spotlights, broadlights. The control room was equipped with a
large light control board, audio control board and editing equipment.  |
 There
were three video cameras in the studio connected to a video switcher
and editor which were connected in turn to a professional recording
deck and a special effects generator. There was everything we needed to
produce a professional quality series of tapes, including free classes
in all phases of video production including lighting, sound, and
editing.
Randy and
Dave Flint completed all of the courses, submitted a short video tape
and were certified as SPAC producers. In the meantime Randy basically
re-wrote the manual, converting it from words to be read to words to be
spoken and heard. In effect the manual became the model for a shooting
script.
While many
fly tying videos feature well known tyers/teachers/authors who do
ad-lib commentary as they tie for the camera, we used a different
approach. Our plan was to have the tying sequences narrated by a
host/narrator so the script could be tightly re-written so in
post-production the narration would exactly fit the video. Dean Clark
was the natural choice to act as host and narrator because of his
ability to read a cue card or script as though it was coming off the
top of his head. |
 Rather
than show the tying operations from the viewpoint of an onlooker, we
wanted to shoot from the viewpoint of the tyer as shown in this video
clip of a Wickham's Fancy of Lesson Nine. This meant that the vise had
to be turned at an angle so we could get a profile view of the vise by
shooting over the shoulder of the tyer. )
The tyers
had to reach out and around to put the right hand in a position that
looked like the vise were in a normal position. Some of the tyers were
skeptical at first but quickly caught on as they viewed the scene on
the studio monitor.
As a relief
from the tying sequences, Dean would appear about half way through the
detailed tying sequence to review what had been shown and introduce
what would follow. After the step by step instructions were complete,
the tyer would tie another fly in real time without commentary but with
music. The narration also had music running under the voice and when a
long repetitious sequence occurred, the music went "up and over".
Because we
needed each tape to run 30 minutes from opening to fade out after the
scrolling credits, each lesson includes a fishing sequence showing
various techniques that are applicable to each style of fly. This
required a number of field trips shot with a camcorder.
The tyers were Mike Rinaldo*, Dave Flint*, Bob Goudreau*, Bert
McQuiston, Ray Holden, Jim Buck and Dick Brown. Those with asterisks
also appear as anglers in the fishing sequences along with Dean Clark,
Ken Hull, Paul Kubert, Mike Beaupre, Joe Buccino and Randy Swanberg.
Many of these members also acted as set-up crew, camera operators,
floor managers, cue card handlers. In all, 20 members were involved in
the effort over a two and a half year period. Producer/director Randy
Swanberg spent about 3000 hours on the project which included 400 hours
of editing. Music was composed and performed by Randy's son Gary,
featuring some full orchestra pieces all done on a Kurtzwiel keyboard
capable of reproducing the sound of any instrument and assembled and
edited on a Macintosh midi system.
At the time
the bottom line price quotation by most professional video production
companies was about $1000 per minute of running time. At 300 minutes
the videos are worth $300,000. We did it for about $700. The
tapes, in conjunction with the printed manual and experinced
instructors have proven themselves over and over to be most effective
in teaching the art and craft of fly tying. |